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EUSKAL MUSIKA:
Basque Music & Song |
The world
of Basque music continues to grow. This webpage provides an
overview.
New Millennium inf Basque music on buber.net
www.basqueclassics.com
www.bienve.com
INTRODUCTION
Folk
culture is without a doubt one of the best ways to reflect upon the
differences between groups of people, and music is certainly one of the
most significant elements within a folk culture.
What exactly is this cultural legacy so closely tied in with the
common folk, and how was it created? Many people think of folk music as
inflexible with time, fossilized, a type of music not open to new forms
and ideas; they see folk music as being played and sung, but not
created.
Part of this camp includes folklorists who simply interpret music,
championing the authenticity and purity of what they consider the "true
version".
However, there are many more folklorists who believe that traditional
or folk culture-and for our purposes we'll focus here on folk music-is
created piecework (tune-by-tune) at a specific time in history, and is
indeed altered over time.
This culture is directly transmitted from generation to generation by
way of a specific group or even passed down through the family. Each
generation, to a greater or lesser degree, contributes to its makeup,
and each individual uses it as he or she sees fit.
People who have compiled or are still compiling folk tunes and songs
can attest to these changes; The same melody or song changes depending
on where it is found, or on whether it has been collected from an older
or younger person even in the same town. Similarly, a piece may
experience significant change if it goes from being sung to being played
on an instrument, or if it changes from one instrument to another.
Musicologists also find that when they go back to the same town some
time later tunes or songs have undergone changes, often times introduced
on the spot by the same musician.
As a result, in songbooks it is not uncommon to find a number of
variations on the same tune, all of which have a common origin.
Romanian musicologist C. Brailoiu has this to say on the subject:
"A folk tune...only exists when it is sung or played, and it only
comes alive by the will of the interpreter, who performs it just as he
wants it to be. Creation and interpretation intertwine in a way that
does not occur in written music." (Bartók, 1979. p. 43)
Folksongs are the result of years and years of individual and group
effort, each one with its own special aesthetics and uniqueness.
We mustn't forget that throughout history folk culture has been an
open-ended phenomenon, with frequent interchange between different folk
cultures.

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